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  • Piotr Gepert | Anunnaki

    Piotr Gepert | Anunnaki

    After Adam Bownik and Vanderson there is another ambitious Polish composer and performer of berlin school EM who has just started artistic activity. Piotr Gepert and his debut in Generator.pl label gives us almost one hour of melodic, rhythmic electronic music with significant sequentional stigma. Title of the album alluding to ancient mythology from Euphrates-Tigris valley, suggests strong contemplating and soulful character of the release, and truly all the compositions convincingly build a consistent message allowing the listener to move into a completely different dimensions, far away beyond the comfortable home armchair. Original compositions, elaborate arrangements, interesting sound solutions and, above all, full control over the musical tissue are sufficient reasons to follow further proposals of Piotr Gepert. Let us hope that he will soon be revealed during the concerts promoting this very successful album. Fans of the genre should be delighted!

    P. R.

    Availability: Goods in stock | product: 1CD

    11,01 EUR
  • Konrad Kucz | Air

    Konrad Kucz | Air

    Some time ago Konrad Kucz told that it would be hard to him to go back to berlin school moods in his artistic creation. The reasons he mentioned are formal, sound and ideological exploitation of this genre. But finally he has just went back. The new album is not like hundreds or even thousands berlin school albums releasing each year - sequence, rythm, solo part and hope to become an EM master. It is not so easy. Becoming recognizable needs talent (that's obvious), hard work and patience. Kucz by years spent at keyboards and sequencers developed his unique style. The new album released by Generator.pl confirms his position as one of the leading composers and performers of classical electronic music of our time. His music is full of space, you feel an omnipresent air (hence the title), listen to pathetic mellotrones in various combinations of sound and of course the analog fat sequences, exquisitely modulated by the synthetic filters. All is very illustrative, perfect for an evening meditation and reflection from the perspective of a comfortable chair. Polish electronic music has been enriched by another export album that will satisfy every music lover around the world.

    press info

    Brilliant 2015 album connecting the Symphonic & Rhythmic "EM" styles perfectly and containing classic, lush Tangerine Dream Rubycon inspired Mellotron choral sequences!
    This is the 3rd Album from this Polish synth musician, and it is, by a mile, his best work to date and also one of the finest releases on this Polish "Electronic Music" label!
    Featuring classic spacey synth sounds, Mellotron textures from the Tomita Snowflakes / Tangerine Dream Rubycon eras, this album is ethereal, symphonic and to some degree rhythmic as well. It is very much a "cosmic" album that is abundant with atmosphere and melody throughout and it climaxes with a track that is unlike anything else on the record and sounds as if it could be an epic OMD track!
    Some time ago Polish musician Konrad Kucz revealed that it would be difficult for him to go return to "Berlin School" moods in his artistic creation. The reasons he gave were formal, sound and an ideological exploitation of this genre. But finally he has returned, and with an album that's unlike the many other "Berlin School" style albums released each year! Becoming recognizable needs talent (that's obvious), hard work and patience. By spending years in front of keyboards and sequencers, Konrad Kucz has now developed his unique style. 'Air' confirms his position as one of the leading Polish composers and performers of classical electronic music of our time. His music is full of "space" and it is delivered in such a way that you feel an omnipresent air (hence the title).
    Air: First Movement opens up in space with all manner of electronic effects before blossoming out into this panoramic display of gorgeous mystical choral voices (Mellotron 400 sounds) that soar, swell and sway though the upper atmosphere to heavenly effect, before returning to a collage of synth effects that are a little reminiscent of early Tomita. It then moves into a new, more "Berlin School" area of sound where repeating synth melody lines wondrously dance around in the atmosphere until a sequencer line comes over the horizon and interacts with the dazzling effects. It all gets a little manic as they all collide and disperse in a burst of light to reveal an altogether more sensitive sequence juxtaposed with a slightly more discordant sound. Great opener!
    Silver Clouds opens with a more classical sensitivity with the sound of a synth (I think) oboe tune and then blossoms out further with the addition of angelic synth harp sounds and added Mellotron strings, taking on a more cosmic feel as choral voices flood the soundstage with an ethereal atmospheric quality. Towards The Sky features a carnival or sounds and textures and is lightly rhythmic at first as it sprightly dances to sounds sketches of crystalline synthesizers and sequences. Soaring Angel is a symphonic tone poem that starts out in a sombre floating in space mood, but as little bursts of synth sunlight appear, a hole in the hazy, dream-like atmosphere appears, and sweet alien-like voice melodies flow through. Soft organ textures roll around for a while then more angelic beams of sound form a kind of celestial sunset and the alien choir appears once and closes the track abruptly.
    Air: Second Movement brings the return of the vast choir of heavenly voices of the opening track and a sequencer, to some extent, then delivers a rhythmic drive to the track with background organ and string synths proving an ethereal backdrop. The Mellotron choirs once more add their bit to the final passage and here we are firmly in Rubycon final movement territory! Rising Sun open in a new part of space, with a phased mix of angelic voices and effects creating a cosmic montage of sound that gives a real feeling of being "out there" in deepest dark space.
    The final two minutes form a gorgeous symphonic space theme with massed string synths and choral sounds enveloping the atmosphere before ending abruptly once more.
    Let It Out is the sound of a revolving keyboard melody line backed by string-synth textures and that's it! Daybreak moves bank into deep space textures, but it too is an equally short piece. Long Distance starts with effect ridden organ chords that form a simple but extremely effective wall of cosmic sound, then swirling ecclesiastical voices come in and surround it with a warm heavenly glow. Under The Blue Sky closes the album with a space-synth drum sequence that all of a sudden envelopes and bursts into a panoramic theme that I can only describe as being a bit similar to OMD's big Mellotron driven epic: Joan Of Arc, with key changes and all!
    Air is complete escapism - an extremely enjoyable album that will take you out into the cosmos on a just over forty-minute trip where you'll forget all your worries and woes and enjoy the beauty and thrill of a space trip like no other!


    Availability: Goods in stock | product: 1CD

    11,01 EUR
  • Przemysław Rudź, Mikołaj Hertel | At the Horizon's Edge

    Przemysław Rudź, Mikołaj Hertel | At the Horizon's Edge

    After very fruitful collaborations with Władysław Komendarek, Krzysztof Duda and Józef Skrzek, now it's time to build another artistic intergenerational bridge. Seven beautiful compositions for sensitive listeners from every corner of the globe. Mikołaj Hertel - legendary Polish EM composer opened the depths of his so far unpublished electronic legacy and give it to Przemysław Rudź for a contemporary arrangement. This resulted in a creative mix of modern sounding and romantically expressed combination of Hertel's melodies and Rudź's progressive harmonies, rhytms and imaginative solos. All the tracks have been heavily rearranged in comparison to their original form, to give them even more pronounced stigma of both artists. At The Horizon's Edge is a proof that the Polish school of electronic music still has a lot to say. The album ends with a brief impression reminding Edgar Froese, the founder of Tangerine Dream, who suddenly passed away 20 January 2015. The whole album is dedicated to his memory.

    Availability: Goods in stock | product: 1CD

    11,01 EUR
  • Władysław "Gudonis" Komendarek | I Am An Alien

    Władysław "Gudonis" Komendarek | I Am An Alien

    Shaman of the classical electronic music, a loner and visionary going in spite of mass production, one of the best live el-music performers of his time. Władysław "Gudonis" Komendarek comes to Generator.pl Records with his retrospective album showing selected and never published compositions from 80-90s. Dreamy, ambient and anxious atmosphere of the Universe's vastness is mixed with the sequential order and crazy soloing performed by this excellent instrumentalist. All is full of fast played passages and also tender romantic melodies. These pieces herald a new Komendarek who at some point in his career breaks up with his well known post-progressive past and focuses on searching for new sounds, penetrating most species from the classical music, through techno to free jazz improvisations. Generator.pl chose five best tracks from Gudonis' archives which are a must-have for fans of EM. Additionaly this is a pure joy that over 70 minutes of great music have been saved from the oblivion.

    Availability: Goods in stock | product: 1CD

    11,01 EUR
  • Przemysław Rudź | Back to the Labyrinth

    Przemysław Rudź | Back to the Labyrinth

    Many musicians started their adventure with sounds joining amateur bands, mostly when they were yet teenagers. Young Przemysław Rudź and his school friends loved progressive rock so much and listened to it with passion spending long hours among the albums of Yes, Genesis, King Crimson, Jethro Tull, Marillion and others. In 1993 they formed the band playing this kind of music. The next three years of the band's activity were a time of gaining experience and learning more about the basics of music - chords, melody, rythm and harmony. Those happy days are gone, but the musician realized that the songs he composed years ago still appear in his head. So he decided to remind himself and refresh even a small part of the harmonies and melodies to save them from complete oblivion. Obviously the music is strongly rearranged in comparison to its original but slightly archaic form. The composer made it by mixing themes and motifs looking for the best combinations. Finally, the music reconstructed in this way occupies more than half the duration of the album (tracks 1 & 4). The rest of the material is completely new music that Przemysław Rudź composed over the past two years. The artist hopes that this sentimental journey to the days of his youth will present you an unpretentious achievement of the band called THE LABYRINTH. As he said: "There wouldn't be an "artistic me" without being a member of this group...".

    Availability: Goods in stock | product: 1CD

    11,01 EUR
  • Lunar Synth | Future City

    Lunar Synth | Future City

    This album will take you to a journey through the future city, a place where acoustic and electronic music meet together. Main influences come from traditional far eastern music and jazz. All tracks were recorded in an "old fashion" way, without using any coputer programs or sequencers relying, only on musicians skills. Real name of the author is Mark Wyrwas, he is a PhD Student in the field of optoelectronics. As a multiinstrumentalis he plays, various synthesizers, cello, guzheng, guitars and percussion instruments.

    Availability: Goods in stock | product: 1CD

    11,01 EUR