Dithmar
Zodiac Zeit
62,19 PLNabout 13,58 EURbrutto
ARTIST | Dithmar |
LABEL | MellowJet |
NUMBER | cdr-dd0901 |
RECORD DATE | 2009 |
MEDIA | 1CDr |
PACKAGE | JEWELCASE |
Kod produktu | 005828 |
Lista utworów
NASSAU OPENING (6:52) |
TABULA COMPLEX (9:12) |
RELÄTIVITY (8:59) |
KRASNOYARSK (9:10) |
MOON 2047 (6:59)* |
MORGENDIS (6:09) |
INSIGHT EINZEIT (17:44) |
LADAISM (11:56) |
Recenzja
Zodiac Zeit refers to the era in West Berlin in the late 60's and early 70's, when the biggest pioneers in what would later be known as electronic music met at the Zodiac Free Arts Lab. Conrad Schnitzler, Edgar Froese and Klaus Schulze was just a few of the great minds gathered at this small but vibrant cultural mekka. It all happened in the shade of the East German flag, as the city was literally surrounded by the East German Republic. A factor that had a huge impact on the citizens of West Berlin - not only political but very much on their culture aswell. It was obvious that the West Berliners strived to be different and do things their own way.
This situation is culturally very similar to the situation i Copenhagen today. The freetown of Christiania is surrounded by a society that wants them to do things the ordinary way, but the cultural life of Christiania keep delivering artists and acts that do things their own way. Danish electronic legend, Anders Trentemöller, is a typical product of the vibe that rules at Christiania, as is Dithmar. The two had the pleasure of working together in the eighties, as Trentemöller participated on Dithmar's first solo album, Computa, from 1998.
Zodiac Zeit is made as a tribute. It all started when Dithmar started recognizing his old German roots on the electronic music stage, and made a few remakes of Tangerine Dream and Schulze tracks. TD fanzone frontrunner, Chris Newman, discovered these tracks, and started playing them on his TDFZ online radiostation. The reactions on Dithmar's Myspace profile pushed him into making his own tracks and the Zeit Project was born. Dithmar chose to stick to the original sentiment - recognizing his respect for the old Berlin School music. Hence that the obvious musical link to Froese/Schulze is not a coincidence. It is indeed very close to the sound of Dithmar's old heroes.
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